It’s wild to look all those years back at the collection of announcements that led up to the Wii’s reveal - Iwata’s assertion that specs don’t matter so much (these were more innocent times), then the following year the reveal of the console itself, no bigger than a couple of DVDs (this is a thing that people used to watch movies on in the mid-noughties). Even wilder that before we got a proper look at that revolutionary controller the big feature that Nintendo’s bold new console would lean in on would be this little thing called backwards compatibility. 20 years of Nintendo games, all available in one place! The concept of the Virtual Console was as dizzying in its own way as the Wii Remote would be, even if the reality of it at launch in November 2006 wasn’t quite so dazzling - there was only something like a dozen titles to choose from, but I think we were all too busy with Wii Bowling to really gripe too much. Still, over the years it blossomed into something remarkable, and by the time the service made it onto the Wii U it was an absolute treasure trove with MSX, PC Engine and even Nintendo DS games to choose from. I’ll always remember with fondness the Hanabi Festivals that used to generously offer up games that were previously only available within Japan, and they felt an integral part of the appeal of the Wii. And Update Day, of course. Its days were numbered when Nintendo made its back catalogue part of its Switch Online subscription - a service I’ve happily signed up for and enjoy greatly, but a miserable alternative to what it’s replaced. The news that Nintendo will soon be closing the 3DS and Wii U eShops, the last vestige of the Virtual Console is a miserable reminder, too, of Nintendo’s appalling attitude to its own back catalogue. Maybe all those titles will make their way to the Switch Online’s subscription service, but it’ll never replace the ability to actually own these things without risk of them being shut off one distant day. It’s another reminder, too, of the importance of game preservation - something that seems even more important now given how clear it is how little big companies like Nintendo care about it. Perhaps it’s naive to expect a big business like Nintendo to take an initiative that doesn’t promise much by way of profit attention, and it puts a fresh emphasis on the vital work of archive professionals who’ve since pointed out how Nintendo’s wilfully obstructing their good work. What a shame to see a company with a history as rich as Nintendo’s so keen to obliterate it.
